{"id":759,"date":"2021-10-14T15:07:20","date_gmt":"2021-10-14T18:07:20","guid":{"rendered":"https:\/\/www.cecrosario.gob.ar\/?post_type=mec-events&p=759"},"modified":"2021-10-18T11:53:06","modified_gmt":"2021-10-18T14:53:06","slug":"intervencion-hebe-chely-telma","status":"publish","type":"mec-events","link":"https:\/\/www.cecrosario.gob.ar\/index.php\/events\/intervencion-hebe-chely-telma\/","title":{"rendered":"Intervenci\u00f3n Hebe, Chely, Telma<\/b>
4QAR2021"},"content":{"rendered":"

Del 18 al 30 de octubre se instala la intervenci\u00f3n de Federica L\u00f3pez \u00abHebe, Chely, Telma\u00bb\u00a0<\/em>entre El CEC y el Galp\u00f3n 11 (Paseo de las artes y el r\u00edo Paran\u00e1).<\/p>\n

Hebe, Chely, Telma.<\/em>
\nTomando como punto de partida una situaci\u00f3n biogr\u00e1fica y familiar, el doblado de s\u00e1banas y manteles de tela para ser guardadas se plantea la realizaci\u00f3n de piezas similares de papel manteca. Estos rect\u00e1ngulos de gran formato a su vez son plegados y apilados conformando grupos de diversas alturas.<\/p>\n

Federica L\u00f3pez. 1982.<\/em>
\nCreo instalaciones site-specific donde el denominador com\u00fan es la presencia de m\u00f3dulos repetidos. La resultante visual resignifica el sentido que tendr\u00edan los m\u00f3dulos exhibidos por separados conformando un nuevo ordenamiento mediante la suma de las partes. Someto los componentes de mis obras a operaciones de inclusi\u00f3n, apilamiento y yuxtaposici\u00f3n entre otras. Lo que suelo realizar es un reemplazo de formas ya existentes por otras equivalentes de distinta materialidad.<\/p>\n

Anticipo la predominancia que tendr\u00e1n las texturas visuales y t\u00e1ctiles. No me valgo de bocetos previos para comenzar una obra, sino que la ejecuto a partir de una idea mental que me adviene de manera precisa. Los ejes tem\u00e1ticos con los que trabajo siempre surgen de cuestiones que remiten a mi historia familiar, recuerdos de la infancia, interacci\u00f3n con el otro, aunque sin intencionalidad de hacerlo expl\u00edcito.<\/p>\n

Esta actividad forma parte de: 4QAR2021 en el CEC<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Del 18 al 30 de octubre se instala la intervenci\u00f3n de Federica L\u00f3pez \u00abHebe, Chely, Telma\u00bb\u00a0entre El CEC y el Galp\u00f3n 11 (Paseo de las artes y el r\u00edo Paran\u00e1). Hebe, Chely, Telma. Tomando como punto de partida una situaci\u00f3n biogr\u00e1fica y familiar, el doblado de s\u00e1banas y manteles de tela para ser guardadas se plantea la realizaci\u00f3n de piezas similares de papel manteca. Estos rect\u00e1ngulos de gran formato a su vez son plegados y apilados conformando grupos de diversas alturas. Federica L\u00f3pez. 1982. Creo instalaciones site-specific donde el denominador com\u00fan es la presencia de m\u00f3dulos repetidos. La resultante visual resignifica el sentido que tendr\u00edan los m\u00f3dulos exhibidos por separados conformando un nuevo ordenamiento mediante la suma de las partes. Someto los componentes de mis obras a operaciones de inclusi\u00f3n, apilamiento y yuxtaposici\u00f3n entre otras. Lo que suelo realizar es un reemplazo de formas ya existentes por otras equivalentes de distinta materialidad. Anticipo la predominancia que tendr\u00e1n las texturas visuales y t\u00e1ctiles. No me valgo de bocetos previos para comenzar una obra, sino que la ejecuto a partir de una idea mental que me adviene de manera precisa. Los ejes tem\u00e1ticos con los que trabajo siempre surgen de cuestiones que remiten a mi historia familiar, recuerdos de la infancia, interacci\u00f3n con el otro, aunque sin intencionalidad de hacerlo expl\u00edcito. Esta actividad forma parte de: 4QAR2021 en el CEC<\/p>\n","protected":false},"author":7,"featured_media":760,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"site-sidebar-layout":"default","site-content-layout":"default","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}}},"tags":[],"mec_category":[5],"class_list":["post-759","mec-events","type-mec-events","status-publish","has-post-thumbnail","hentry","mec_category-agenda"],"yoast_head":"\nIntervenci\u00f3n Hebe, Chely, Telma - CEC<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.cecrosario.gob.ar\/index.php\/events\/intervencion-hebe-chely-telma\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Intervenci\u00f3n Hebe, Chely, Telma - CEC\" \/>\n<meta property=\"og:description\" content=\"Del 18 al 30 de octubre se instala la intervenci\u00f3n de Federica L\u00f3pez \u00abHebe, Chely, Telma\u00bb\u00a0entre El CEC y el Galp\u00f3n 11 (Paseo de las artes y el r\u00edo Paran\u00e1). Hebe, Chely, Telma. Tomando como punto de partida una situaci\u00f3n biogr\u00e1fica y familiar, el doblado de s\u00e1banas y manteles de tela para ser guardadas se plantea la realizaci\u00f3n de piezas similares de papel manteca. Estos rect\u00e1ngulos de gran formato a su vez son plegados y apilados conformando grupos de diversas alturas. Federica L\u00f3pez. 1982. Creo instalaciones site-specific donde el denominador com\u00fan es la presencia de m\u00f3dulos repetidos. La resultante visual resignifica el sentido que tendr\u00edan los m\u00f3dulos exhibidos por separados conformando un nuevo ordenamiento mediante la suma de las partes. Someto los componentes de mis obras a operaciones de inclusi\u00f3n, apilamiento y yuxtaposici\u00f3n entre otras. Lo que suelo realizar es un reemplazo de formas ya existentes por otras equivalentes de distinta materialidad. Anticipo la predominancia que tendr\u00e1n las texturas visuales y t\u00e1ctiles. No me valgo de bocetos previos para comenzar una obra, sino que la ejecuto a partir de una idea mental que me adviene de manera precisa. Los ejes tem\u00e1ticos con los que trabajo siempre surgen de cuestiones que remiten a mi historia familiar, recuerdos de la infancia, interacci\u00f3n con el otro, aunque sin intencionalidad de hacerlo expl\u00edcito. 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